Damascus Red

Not it's not a Syrian folksinger. This is a painting of an apple that I picked next door in the Damascus Town Forest. Damascus PA not Syria, It is of unknown variety. This area of northeastern Pennsylvania was covered in orchards at one time. Some time over the last 50 years or so most orchards were abandoned for one reason or another. Some years there are so many 'wild apples' that you can pick to your heart's content and have apples of many varieties for months. This year not so much.

Anyway I painted this as a challenge to myself to paint with Geneva Paints all by themselves. Geneva paint are a slow drying very fluid paint developed bu Mark Carder. Several years ago i did testing for them during their development in conjunction with my regular paints. I never really got the chance to build a palette from the limited color set of Ultramarine Blue, Roso Corsa (red) and Cadmium Yellow. So I mixed a spectrum palette; Red, Red Orange, Orange, Yellow Orange, Yellow, Yellow Green, Green, Blue Green, Blue, Blue Violet, Violet and Red Violet. Very nice color. All from the original 3. Color is amazing.

Recently I have been learning how to build a working palette from the spectrum. Mostly from Judith Reeve* one of my life painting group. A working palette of semi neutralized color. More true to the real world of color. And faster to mix to match real world color use. This painting took about as long as most of my 6 x 6 Kitchen Art pieces. Somewhere around 2 hours. The Geneva Paints were a challenges though the colors mixed beautifully. Fast and predictable. The color blocking was very quick. The finish was difficult. The body of the paint is somewhere between liquid and very heavy cream. It stands up but doesn't have every cohesion to bring a mongoose hair brush to a point. So toward the end I swapped out Geneva White for my white. Much better.  

All in all a successful attempt. I'm sure theres a way for me to boost the body in Geneva Paint.

On to the next one

* Judith Has a fascinating web site full of magnificent paintings and incredibly brilliant study of color and composition.  https://attentiveequations.com

Damascus Red  6 x6 oil on panel 2017

Justin #2

The is is Justins 3rd pose with use. It’e His third pose ever.. He’s a great model it turns out. He hold a pose for a half hour and gets right back in after a break. Long distinct features and a unique look. This pose is a serpentine hind of thing. Resting back on a stool in extension. Foreshortening, backlit, and the changing lighting condition of a pose over three sessions. 

It’s not finished very much to do but I very much like the direction. For over a year now I’ve been trying to understand the Sloan Triangular color wheel. The concepts of semi-neutrals and hues produced by using the triangular configuration. I and starting to get it enough to apply a bit of the knowledge on the fly. 

 

Justin #2 Wip  30 x 24 o/c 2017

Justin #2 Wip  30 x 24 o/c 2017

A New Pear

A little addition to my collection of ‘Kitchen Art’ paintings a colorful and yummy Bartlett.  

Pear 6 x 6 oil on panel 2017.  

Pear 6 x 6 oil on panel 2017.  

Justin in the studio

The past few weeks we painted Justin standing In Johan's studio. Everything about the pose was terrific. The gesture, the light. the environment and Justin's unique body expression. This is a departure point for me. I started this painting not drawing but blocking in the masses with a biggish 1 1/2 inch varnish brush. Its a 24 x 30 canvas. Over three weeks I worked up to the drawing. I't a bit unfinished but I like that. There are a few things, direct light, reflected light planes. When I get to it.

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Justin. First new model in 2 years!

First week finding the pose with sketching . Week 2 a couple of hours of painting. 

Justin is a first time model. He's a natural. His body is long and limber. He can hold the psi for a long time.  

One more painting session in 2 weeks. Maybe a little fussing in between. 

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Apple with blue Border

The return of 'food art'. With the garden providing so many subjects this summer I've returned to paint food object. I thought I'd tune up with this apple. More to come. Tomatoes, cucumbers, peppers, zucchini, zucchini bread. 

Apple with Blue Border   oil on panel 6 x 6   2017

Apple with Blue Border  
oil on panel 6 x 6   2017

Slack Tide

A modern day tender on a morning slack tide.  Years ago when I started paying attention to and painting these casual little work boats they were made of wood. Mostly plywood things. Some were more elaborate but most were simple. The served one purpose. Get the lobsterman to his boat then hang about until it master needs to get back to dry land. This is a modern plastic tender. Inexpensive purely functional. Even still in the right light a charming object.  

Slack Tide. Oil on linen 9 x 12. 2017

The cookie jar

This is a painting of the Cookie Jar. The cookie jar that sat on the kitchen counter while I was growing up. We didn't have a lot but we did have cookies. My mother was a fabulous baker. The cookie jar was always full. Oatmeal, molasses , wheaties, chocolate chip, sugar, all kinds of wonderful made from scratch cookies.I can see that little knotty pine kitchen with the latch cabinets and covered cake dish. Where there was always a freshly made cake.

Recently I was cleaning out a shed and found it full of a clan of mice living in the at cookie jar. Eggh! I 'washed it out good', popped insome freshly cut Peonies and painted it on a 12 x 9 rough canvas.

A finished sketch really. Just enough to write the story of Ma's cookie jar.

Ma's Cookie Jar with Peonies 12 x 9 oil on canvas 2017

Ma's Cookie Jar with Peonies 12 x 9 oil on canvas 2017